by Tom Kapr
Wherein I attempt to watch one new-to-me horror film every day of October till Halloween and write a quick review. I will end my review with a letter grade like we do on our podcast (A, B, C, D, or F–pluses and minuses are for the non-committal!) and with the movie’s rank on my Flickchart.
I took several screencaps. I decided this one was the least likely to give anyone nightmares.
Directed, co-written, and scored by Harry Bromley Davenport, who has maybe the most British name of any horror director.
SOME SPOILERS AHEAD.
I remember reading about this film when I was a teenager, in an encyclopedia of movie monsters, if I remember right. I was both intrigued and horrified, and so has this film remained in my mind, a film I’ve long wanted to see yet felt hesitant about seeing. All of a sudden it was not only in the discussion for my horror viewing this month, but free for the viewing on YouTube.
Davenport must have fancied himself something of a John Carpenter. And if so, he’s done Carpenter proud as far as this film’s atmosphere and visual effects go. The effects are astounding–gruesome and bizarre as imagination will allow, but astounding. Scenes are blocked and edited extremely well, and I have to give credit to Davenport, cinematographer John Metcalfe, and editor Nicolas Gaster. They’ve crafted a hell of an alien horror flick.
Unfortunately Davenport’s Carpenter-esque synth-laden musical score is one of the worst I think that I’ve ever heard (the opening riffs sound like something from a Super Mario Bros. game but less nuanced), and the acting is often sub-par. The effects are right up there with Ridley Scott’s Alien of 1979 and Carpenter’s The Thing, released just months prior in 1982, but the story isn’t. In fact, I’m still not sure what the story is. A man disappears into a strange light and reappears three years later (and by reappears, I mean, crashes to earth, kills some people, impregnates a woman with a sort of ovipositor, and is then moments later born from that same woman as a full grown man–and yes, it is one of the most disgusting things I’ve ever seen in a horror flick).
The man finds his wife and son, who take him into their house against the better judgment of the boy’s surrogate father, who is a tool, of course, despite the fact that his misgivings are more than well-founded. Son catches dad eating his pet snake’s eggs and runs away. Dad chases him and injects something into him with his mouth. And that’s when things start to get weird.
About 45 minutes into this, which was already one of the stranger movies I’d seen, things took a really bizarre turn and just kept getting weirder. But this is where my spoilers end.
It can be fascinating to trace a film’s lineage, so to speak. Xtro was so clearly inspired by Alien, yet if you look at the design of that creature in the screencap above, you can see almost a prototype of Ripley’s “baby” from 1997’s Alien: Resurrection. I would not be surprised if Jean-Pierre Jeunet was inspired by Xtro when crafting the third sequel to the movie that inspired Xtro. And so we are all connected in the great circle of cinema.
Final grade: C
My Flickchart ranking: #1894 (out of 3259, a relative 42/100)