By Tom Kapr
Ten years ago, if you told me you thought Leonardo DiCaprio was a good actor, I would have laughed in your face. Right in your face. I would have tried to make you feel bad about your life for having such an opinion. Granted, at that time, I was basing my opinion almost solely on his performance as Jack Dawson in Titanic (of which my opinion has not much changed).
Now, I have to somewhat sheepishly admit that DiCaprio has become one of our best actors. I wasn’t on board until late 2002 when I saw Catch Me If You Can. His performance as master counterfeiter Frank Abagnale Jr., whose daddy issues got him in way over his head with the law in several countries, was astonishing. (I would be remiss if I did not acknowledge the credit due to director Steven Spielberg and co-stars Tom Hanks and especially Christopher Walken, who played the senior Frank Abagnale and had some genuinely moving scenes with his on-screen son.)
DiCaprio has since given some of the best star performances of the last decade, mostly in great Martin Scorsese films like Shutter Island (one of this year’s best), The Departed, and The Aviator, in which he gave arguably his best performance to date as Howard Hughes.
But I’m not here to talk about how great Leonardo DiCaprio is. I’m here to take him down a few notches. He is gonna be so burned when he reads this, man.
There seems to be a pattern emerging wherein no matter how great one of his films is, DiCaprio has that one line of stand-out cheesy dialogue that makes me want to throw Macadamia nuts at the screen. (I keep a handful in each pocket at all times for just such an occasion. If you want to follow my example, then also remember not to throw them at actual people who say stupid things. Stupid people have a tendency to react violently when pelted with nuts.)
My favorite example of what I like to call “DiCaprio’s Crappy Prose” is from Titanic, when Jack Dawson overhears that the ship is going down. Leo wrinkles his brow and flatly says, “This is bad.” Really, Jack? Are the impending deaths of 1,517 people bad? Because so is that line reading. (Incidentally, I asked Kevin Costner how he felt about the matter. All he said was, “My boat.”)
Here are a couple more gems (which I already realize might not be verbatim, so chill out):
“You want him to chop me up and feed me to the poor?” We’ve all heard this line about a thousand times, in every single piece of advertising for The Departed over the last four years. Somebody in that marketing campaign either really dug that line, or really hated DiCaprio.
“In America, it’s bling-bling, but out here, it’s bling-bang.” I heard DiCaprio came up with that one himself. I don’t know, maybe it’s more poetic in Afrikaans. But it’s anachronistic in any language. Blood Diamond takes place in the 90s, before that term was popularized.
“Come back with me, so that we can be young men together once more.” I know I’m butchering that line. I guess it’s not so much a bad line, as it is a line that draws more attention to what is already the most nonsensical part of an otherwise amazing film. Here’s my burning question about Inception: Why, in that scene, does DiCaprio’s character still appear so young while Ken Watanabe’s character looks like a mummy? If you’ve seen the film, you understand why I’m asking the question.
And here is the cheesiest line of them all, from the film at the center of the Incidental Dog review crew’s most recent podcast, Body of Lies. DiCaprio plays a CIA agent trying to catch a high-ranking member of Al-Qaeda. He’s looking for a patsy to play up as a competing terrorist mastermind, and here is his description of who he wants for the unwitting job:
“Someone between Osama and Oprah.”
You know, I think I actually saw that job listing on Craigslist, and strangely enough, I believe I fit that description. Less militant than Osama bin Laden? Check. More militant than Oprah Winfrey? Check. When do I start?
Keep an ear out for more of DiCaprio’s Crappy Prose in your future film viewings. I will be.
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