By Steve Hawco
I’m not going to bother making the case for Prometheus as the best film of the year, but it sure was my favorite. Ridley Scott’s officially unofficial prequel to his masterful Alien, Prometheus lacks the Hollywood glamour of Les Misérables and the real-world poignancy of Zero Dark Thirty, but it makes up for it with genuine chills and the best production design seen this year.
Scott works from a relatively anemic script by Damon Lindelof (of Lost fame) and Jon Spaihts (The Darkest Hour), telling a sci-fi tale of archaeologists Elizabeth Shaw (Noomi Rapace, The Girl with the Dragon Tattoo) and Charlie Holloway (Logan Marshall-Green, Devil). Exploring caves in 2089 Scotland, the ambitious couple discover evidence of extraterrestrial visitation to Earth. The star maps scratched onto the walls lead Shaw and Holloway and their team to a distant moon, dubbed LV-223, aboard a Weyland Corporation vessel, the Prometheus.
The explorers find structures on LV-223 that are clearly the result of intelligent design, and Shaw aggressively pursues her search for the origin of life on Earth, despite the dangers posed by the harsh environment and a mysterious organism. From here, the script leaves a lot to be desired, as our intelligent protagonists make idiotic, damning decisions and most of our questions are left unanswered. The biggest criticism leveled against Prometheus, understandably, has been the script, and the sins of Lindelof on one of the most ravenously devoured TV shows of all time haunt a movie that he didn’t even begin the writing for in the first place.
Hiring Lindelof may have been a glaring mistake, but thankfully it was Scott’s only one. The movie is a stunning example of art direction and special effects (a large percentage of which are practical effects rather than computer-generated), and the 3D cinematography by Dariusz Wolski (Pirates of the Caribbean) shows off the slick costumes and props throughout. The set pieces are amazing, featuring a race by two of the characters across alien terrain while a huge spaceship crashes into the dirt at their heels, and an unholy birthing scene that makes a case for “scene of the year.”
Prometheus looked stunning in 3D, with amazing depth throughout, the highlight being the whole-room smartphone apps of the future which makes three-dimensional holograms all around the characters. I am happy to report that the 3D Blu-ray looks almost as good as the RealD theater presentation.
Top it off with a wonderful performance by the red-hot Michael Fassbender (X-Men: First Class) as the android David, and you have one great movie in the sci-fi/horror genre. Just don’t ask for a satisfying conclusion to any question apart from, “How high will the body count get?”
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